If 2016 were shoes, they’d be crocs. And not worn in an ironic Christopher Kane kind of way as currently advocated by Vogue. No. 2016 was the kind of crocs that are worn by a fat, balding middle aged man, named something like “Murray”, down at the beach with a pair of yellow and aqua geometric patterned euro-shorts. And Murray’s a racist. That’s the kind of year 2016 was. Continue reading “I Kept a Gratitude Journal – Here’s What Happened”
I have always been a total movie-nerd. When we were young, my sisters and I would watch our favourite movies over and over again, to the point where we knew the dialogue by heart and would act out the scenes in our living room. To this day, our conversations are littered with obscure movie quotes from “classics” like Pee Wee’s Big Adventure (“You don’t wanna get mixed up with a guy like me. I’m a loner, Dotty, a rebel“) to Dumb and Dumber (“What is the soup du jour?“, “It’s the soup of the day.”, “Mmmm, that’s sounds good. I’ll have that.“)
Before you judge too harshly, I am pleased to say that my taste in cinema has improved since then. Also, I no longer act out the scenes in my living room (unless my sisters and wine are in any way involved).
Through my love of film, I discovered Wes Anderson with his early movie, Rushmore, and I’ve been hooked on everything there is about his wonderfully quirky and colourful work ever since. The poignant stories, complex characters, dialogue that fizzes and pops its way along (“I love you two, but I’m gonna mace you in the face!“), but most of all his meticulously designed and beautiful sets – I love them all. So when I heard that Wes Anderson designed the interior of the bar at the Fondazione Prada in Milan, Bar Luce, I knew I’d be there with bells on, the biggest, bell-laden movie-nerd in all the land. Continue reading “Milano – Bar Luce”